The Beauty of Poisons: Chapter 1

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Father always had an unhealthy fascination with poisons. He told us that when he was still very young, he was playing in the family garden when his dog ate some pieces from his mother’s flowers. Within the hour, the pup was writhing upon the ground, foaming and whining as the spasms of death wracked its little body. Father, though appropriately horrified for a boy watching the death of a beloved living creature, was wholeheartedly fascinated. It was soon after that he realized the very hyacinth bulbs his mother nurtured and adored were the very ones that killed his pet. And it was then that he found the splendor that both disguised and surrounded poisons.

And so began his career into toxicology, a field that consumed his interests wholly and without fail. Father told us of his time at university in America, where he fought tooth and nail to be admitted into the course taught by Alexander Gettler himself, the hero who brought so many new methods of chemical isolation into the hands of chemists everywhere. Sometimes I would wander into Father’s laboratory late at night, only to find him gleefully enacting some of Gettler’s greatest breakthroughs. It was moments like those that I was reminded why Mother was so set against owning dogs.

But for all his joy over poisons and death, it was for that very reason that he married so late in life (If by “late” you meant 26, which his mother certainly did). Though handsome enough in his own right, what woman would ever consider a man so enraptured with death? Not that Father cared at the time; those with no interest in his craft held little interest to him. What use did he have for silly women named Gertrude or Prudence, he said, when he had such beauties as Belladonna and Strychnine to enrapture him? It was only for Jessamine that he ever looked up from his work, a vibrant young woman who wandered into Father’s lab one fateful day and unabashedly corrected his methodology for carbon monoxide detection.

“It was love at first pressure reduction,” Father said. Finally Father met a woman with pride and determination, whose captivation with toxins rivaled his own. A match made in heaven, her father said (Or hell, depending on how you looked at it). And after only a few years – though Grandfather claimed it took decades – and copious agreement on her part over how their children would be named, Mother and Father finally married.

Castor was the first of us to be born. Though Mother said they waited a bit to see what their children were like before they gave out names, she admitted that there was only so much thought they could give to the name of their sons. Poisons and the flowers from which they are purified, after all, were rarely considered masculine. But Father deemed it appropriate, given that he was born under the star of Gemini, though lamented that there was no poisonous entity named after Pollux to give to the next son. Castor never seemed to mind.

Ivy was next. Father said that, within a week of her birth, my eldest sister never wanted to be near the ground, always reaching towards the heavens as if she had already earned a right to be there. She cried when she was placed in her crib, and only after Mother designed a rig that kept the cradle airborne did Ivy finally give in to sleep. Her affinity towards heights only grew as she did, leading to an inevitable fascination with flight that filled my parents with both pride and horror, the latter usually reserved for Ivy’s early attempts at flinging herself off the roof with paper wings.

Sarin was the third of us. His was a tricky birth, and he was off schedule by nearly two months. As a result, his lungs were still very weak, and our parents feared that he would not last long enough to be named. But Sarin lived, albeit having to go through life with terrible asthma that would very likely stick with him through adulthood. His wracking cough kept our parents awake at night, and it was finally in a fit of sleep-deprived hysteria that Father named the colicky baby after the most potent of lung-paralyzing neurotoxins. At the time, Mother agreed that it was genius.

Daphne and Delphinium were born two years later, and Father was so excited at the prospect of naming the twins that the consideration for personality was thrown out the window.

“What is it about twins,” Daphne later asked.

“That makes us seem less important individually?” Delphi finished.

None of us ever dared answer. My sisters were inseparable, bound together by threads unseen by anyone but themselves. When one fell and scraped her knee, the other would howl in despair. When they were six, Father rushed Delphi to the hospital after she fell from a tree and broke her arm, only for Mother to have to follow soon after with Daphne screaming in agony. We could tell Father was exceedingly curious, but Mother always said she drew the line at human experimentation.

“Especially on our children,” she said, and looked at Father until he put away the hypodermic needles and retreated back to his personal laboratory.

Then it was my turn. Mother thought that she was past the age of having children when she suddenly realized one day that the growing bulge at her waist was not, in fact, the sudden onset of life’s newest stage.

“My heart skipped a beat,” she told me, “and I was suddenly leaping in ecstasy at having evaded one hormonal crisis for a much better one.”

My birth came on a quiet summer day in 1953, which was only quiet because everyone else in the neighborhood was sitting in front of someone’s television set, watching our newest queen being crowned. This, unfortunately, meant that the doctor was a little late in getting to the house for my delivery. Mother was certain that the doctor was so entranced by the broadcast that he’d forgotten about her, and that one of us, if not both, would surely end up dying.

“Cerberin!” she yelled at Father, pacing madly around the nursery in a futile effort to relieve the contraction pains. “I don’t care if it’s a boy or a girl, we’re naming it Cerberin!”

She couldn’t explain her reasons at the time, and Father was so distressed that he didn’t think to press the matter. Though for what sane reason would his wife want to name their child after a toxin produced by something known as the Suicide Tree? Even Mother admitted that her reasoning was not sound, though it seemed perfectly logical at the time.

“I was convinced,” she told me, rocking me to sleep one night, “that no matter the outcome, you were going to break someone’s heart. That’s what cerberin does.”

Though Mother and Father always seemed to carry a twinge of regret over my naming, I never felt the same way. It was unique, to say the least. The one thing Sarin and I never had to worry about was running into any other person on the Earth carrying our names in their pocket. And I thought nothing of the strangeness of my family’s intrigues. It wasn’t until I entered primary that I realized that no one else’s parents had such an in-depth knowledge of the world’s toxins and none of them knew how the garden’s flowers could kill them. No one else had a laboratory in their basement or a rack of physician’s tools in their library. It was the first time I ever heard the term “unusual” stuck upon my family’s name. And it certainly would not be the last.

Switching Gears

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Maybe the blogging lifestyle isn’t for me.  While I get that dedicated bloggers need to be good at time management and really into their material, I’m starting to realize that maybe, outside of the crazy rants I need to do about movies that somehow manage to piss me off, I don’t actually have any talent in reviewing films.  It’s basically me saying yea or nay, and very few coherent reasons why.  A couple weeks ago I tried explaining my feelings about the new Cinderella movie to my mom and my sister — my mom and my sister — and I could barely explain myself then.  So, no more.  This is going to become what I want it to be, which is a writing blog.

My relationship with writing is complicated.  As people with siblings can relate to, there came a point in my sisters’ and my lives where we wanted to separate ourselves as far as possible, especially in interests.  My younger sister took all the expensive hobbies, like horse-back riding and bassoon, while my older sister took writing and art.  This led to a deep-rooted assumption from my family that one sister was going to be a writer, while the other was either going to be a musician or run away to the circus.  I was not allowed to touch these hobbies.

What that meant was that I, the middle child, was designated as the scientist.  The scientist. Just because I liked rocks as a child, didn’t mean I wanted a career in biology.  I just thought they were pretty!!  But my parents and my family encouraged it, so I thought it was something I needed to do. Somewhere along the line, my own artistic interests were neglected (The only time I got into an art class by myself was when I took pottery classes, and even my mom told me that there’s no money in that.  I was fourteen).  This unfortunate circumstance/misunderstanding led me to where I am today, a biology major at one of the most competitive public schools in the country.  And my lack of passion is starting to become a hindrance to my education.  I keep getting distracted by all my artistic interests, which always seem to choose to erupt during my lectures.  Pretty sure I’m going to fail my chemistry midterm tomorrow partially because of that.  The random outbursts of creativity need to be contained.

So, screw the boundaries.  I’ve picked up writing again.  I have little imaginary people having conversations and battles and cute moments in my head, and they need to get out.  Since this is my blog, and I predict no foreseeable boost to popularity anytime soon (I only average one view per day), I’ve decided to switch gears.  Short stories.  Chapters.  Scripts.  Stupid little concept maps that make no sense to anyone but me.  They’re all going up here.  Sorry, if I have a loyal viewer somewhere who really liked my movie reviews.  I just can’t do it anymore. (Besides, I don’t watch enough recent movies to be relevant.) I’ll try to do it for holidays, like Halloween and Christmas, but aside from that, I’m taking a break.  I need to focus on what I really love doing, even if I’m doing it poorly.

So, thank you, faceless void and the viewers behind it.  I look forward to the analytics bar dropping back to zero, and I hope you find what you love to do too.

Stay awesome.

Obnoxious Internet Commenters #9

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Where the hell did Friday go?  It’s like I went into zombie mode on Wednesday and just couldn’t be bothered to wake up until this afternoon.  What the hell happened?! I literally remember almost nothing about what occurred for the last four days.  Is this my life? Is this some kind of early onset genetic thing that my parents were too lazy to tell me about? (Not that I slept through classes, though, because that is irresponsible and bad and not a good waste of my college fund.)  In any case, apologies for how late this is.  But, then again, procrastination is my life right now, and finals are happening in a week.  I have more pressing matters than a blog no one reads.

Okay, back to trolls.  Have you ever noticed how much people like to bring parents into the fray?  When a troll is pissed off at someone, they will attack anything and everything, including parents.  …Why? What does this accomplish other than exposing the trolls issues with their own parents?

It’s not just insulting someone’s parenting, though there is a lot of that and it’s a whole other area that has almost too many connotations to handle for both sides.  But in this situation, I’m talking about the people who explicitly target someone else’s issues with their parents with no regard nor background information.

What pisses me off about this the most is how stupid this is.  Why would telling someone to go work out their daddy issues help resolve the original question of whether Courage the Cowardly Dog was pink or purple?  Wouldn’t that just tell the rest of the world that you are the one with the parent problems and that maybe you should get some counseling? (Though, in my opinion, anyone who has ever trolled probably has some issues to push through, myself included.  We all have problems.  Humans are weird like that.)

As a woman, I take particular interest/disgust with the comments targeting moms. My mother and I have our problems, but I accept that because she’s as insane as I am and we love each other regardless. So hearing someone tell me or someone else that our mothers don’t love us for being “f***ing retards” or “ugly” touches a certain nerve that we all have that overrides the deeply-rooted common sense that tells us that’s a lie.  While that kind of insult could certainly shut someone down, since it is painful to hear, it’s more than likely to rile them up further.  There becomes this mentality of “how dare you say my parents don’t love me, you t***.  Your mother–” And the game goes back and forth until someone becomes too emotionally exhausted to continue.  And the rest of us are left with a disgusting comments chain that has us questioning the decisions of everyone involved.  Not just the one or two trolls who were obviously leading the charge. EVERYONE.  That one guy who chimed in twenty comments ago asking them to stop.  That one girl who took a side and got slammed for it by someone who hadn’t even commented before. Everyone involved ends up beaten down in some way or another, leaving that comments chain knocked at least one notch on their mood scale.

It’s ugly, it’s vile, and it’s embarrassing.  You are all embarrassing yourselves.  Stop it.

I also hate the negative comments about fathers.  What are you doing? Why are you insinuating that someone has been raped by their parent just for disagreeing on whether that one gray box was the same color as that other gray box.  What do you think you are achieving? What sick and twisted things do you think or do to come up with such a horrible, sickening response to what is essentially a benign problem?  Because most of these arguments are about literally the dumbest things.  I remember one time I was listening to a score from a production music company and these people were duking it out in the comments section over what turned into, get this, racism.  …Where did you morons pull that from? The song had no context.  It was literally just a piece that was pulled from the air to be bought for ads.  The stock picture was a f***ing bunny rabbit.  Where did these guys pull racism from, and how did they manage to do that and bring the fathers into it for a 50+ comments chain?  There was rape in there, and incest, and jail, and racial slurs, and a whole bunch of other stuff that I have wiped from my memory for the sake of my misguided naivety.  I wanted to scream, but I didn’t because the score I was listening to was so pretty that I felt that it deserved better.  Which it did.

Going back to that reflecting poorly on yourselves, what’s worse about all this is that sometimes, in the middle of these chains, I remember that the Internet is not being run by idiotic teenagers who still have time to learn things.  No, most of these people are adults.  Matured human beings who have been deemed worthy by the universe to walk around and buy things and verbally abuse people on the internet.  Verbally abuse parents on the Internet, when I’m sure a good chunk of them are parents themselves.  I wonder how the current trolls would feel if some someone in the future bashed them in order to get at their child?  Would they just shrug it off, or would there be this moment of numbness that can only be explained when they dwell on the horror they left in someone’s comment section?

I have no idea what these people are really like off screen.  Maybe they’re really nice, and have good, steady jobs and just like to blow off steam on the Web. But, to be honest, after reading how horrible they are to people they can’t see, I don’t want to know how nice they could be face-to-face.  All I know is that I want them to stop and think, like we were taught so many times throughout elementary school.  And middle school.  And high school.  And life.  Just think.  Do it.  For everyone’s sake.

Next week’s topic will be about the “Politicians”.  Not the real ones, oh no.  Just the people who think they are.  It’ll be a blast.  I’ll do my best to stay on time and hopefully put up a review pretty soon.  Until then, please be nice to each other.

Obnoxious Internet Commenters #10

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You know these people.  Those goddamn trolls who stalk the internet and feel the need to put their two cents in no matter how stupid or blatantly wrong they are.  Even if the original content was so harmless that by the time you’re done sifting through the two pages of crap on this one video that you never want to watch  the video ever again.  It is vile, it is disgusting, and it ruins everyone else’s experience. So, on this new segment of my inconsistent blog, every Friday I am giving you the ten types of internet trolls that I hate the most.  Starting at #10, this is Obnoxious Internet Commenters.

#10 – The “Feminists”

Let me make this clear unless you haven’t read any other my other posts.  I am a woman.  And, as someone who has grown up with strong female role models for my life, I am absolutely for equal treatment between genders.  Yes, good for you Movement.   You have a good goal.  And, as a whole, feminism is a very good thing that seems to be catching on, at least among the people in my generation.  Which is fantastic and makes me very hopeful for the future.  You go!

But then there are these other people out there.  They are the ones who call themselves “feminists” when introducing themselves.  They are the ones who, if you’re not actively supporting women’s rights, regardless of whether you’re male or female, decide that you are either a weak woman or a misogynist.  THIS IS NOT OKAY.

Take, for instance, a comment someone made about Cristin Milioti.  It was harmless, saying that she was adorable and asking why “no one had put a ring on her yet” (because she’s perfect).  Now, to most people, that sounds like a compliment right?  Here you have this talented actress who’s single, and a fan would like to know why.  There’s nothing wrong with that.  But then comes this woman, who from now on will be dubbed “Superfem”, because I’m pretty sure she thought she was kicking misogynist ass.  (sighs)

So “Superfem” jumps in with a “why would you assume she WANTS to get married?”, which, I get it.  I know marriage isn’t a goal for everyone.  But long-term partnerships tend to be a major goal is MOST people’s lives, so she already gets some points deducted for assuming the minority.  Then another commenter, bless his soul, tries to defend the original poster by saying that “putting a ring on it” is just a colloquialism and that she shouldn’t get upset over it.  And called her obnoxious. (You f***ing moron.)  So she gets all butt-hurt about it and starts CLAWING at the poor guy’s throat, telling him that not all women want to be “tied down” to “men like him” and that “god forbid [Milioti] makes her own decisions and is single by choice.”  …. Oh, honey.  You little twit. I understand your argument, but I think you need to rethink your idea of marriage.

Marriage, or so I’m told, is not a binding situation anymore.  While I know that abusive relationships are still very prominent in our culture, more often than not a long-term partnership tends to be stable.  Maybe even healthy.  We just don’t hear about it as often, because people like drama and we ignore normality.  Normal relationships are boring.  But they exist all around us.  You know that old couple that live on your street and take walks in the mornings and actually seem to enjoy each other’s company? They’re not as rare as you think.  I have multiple married neighbors, and, honestly, I think my family is the most openly dysfunctional on the block.  They’ve heard us screaming at each other so often, hissing and shouting and threatening to murder each other, that I’m surprised no one called the cops.  Not to say that they don’t have their own problems that they just guard better than we do.  I’m positive they have them.  But just because a relationship has arguments doesn’t make it unhealthy.  And it certainly doesn’t tie down the woman any more than it does the man, especially in this day and age.

And, at the end, if things are just too complicated and you can’t stand each other anymore, there’s this magical thing that’s called divorce, and it can even go SMOOTHLY.  My parents are divorced, and I was ecstatic when they announced it.  I love my parents deeply; they’re both really good people.  I just hated their relationship after I turned ten.  So, no, marriage is not usually this hellhole where the woman is trapped forever.  That’s not how it works, and shame on you for trying to display in that light, Superfem.

But then it got worse.  Another troll, I call him J-hole, decided to jump down Superfem’s throat.  And it was UUUUGLYYYYY.  Within two long-winded comments, he was calling her a bitch, she was calling him small-minded (which is probably the worse she ever said, to her credit).  And it just kept going, mostly from J-hole.  My favorite part was when she tried to use the Salem Witch Trials to defend herself, but J-Hole had to slap her with the fact that MEN were burned at the stake too.  Also, the witch trials were more about petty jealousy and land.  Not… you know… MARRIAGE.  Then Superfem got fed up with this video, and apparently went off to stalk the REST of his comments EVERYWHERE else.  Then J-Hole just tore into her with sexual slurs and lesbian comments and I had to stop reading before I jumped in.

It’s one thing if you’re feeding the trolls.  That takes a certain amount of desire to continue the conversation.  And I understand the urge.  Hell, I’d be lying if I said I’d never fed a troll before.  It’s another thing watching two very blatant and stupid trolls argue it out between themselves on a CONAN O’BRIEN video.

Guys, why is this a thing? Why did someone’s very innocent comment based on standard social normalities become a battle ground for two morons? I don’t get, and I hope none of you do it.  Please.  You’re not helping anyone.  If you want to fight with some small-minded bigot or in-your-face feminist, go do it on your own damn channels.  THE REST OF THE 16,258,501 OF US DO NOT GIVE A SHIT.  Do not annoy the crap out of us trying to make a point; it’s just going to make us hate both YOU and YOUR CAUSE.    Do NOT slam your opinions in our faces when we just want to watch a video or read an article on the internet.  Just because your cause is seen as a good one, doesn’t mean we won’t get sick of it if you try to jam it down our throats whenever you see an opportunity.  So, at the end of the day, you want to be a feminist? Go for it.  Just go about it in the right way.

So next week’s article will be, hopefully coming out next Friday.  Bur don’t expect too much.  I’m a lazy college student.  But here’s next week’s subject, prepped for your imagination’s pleasure. #9: Daddy-Issue Pushers.  It is exactly what it sounds like.

So until then, be nice to your fellow commenters.  If you feel the need to correct someone, be nice about it and don’t respond if they have a panic attack because your opinion is different.  That’s their beef, and you don’t have to take it.  Be smart, be safe, and be nice.  Until next week!

Divergent

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This movie… did not age well.  And it’s only been a year. When I came home for the weekend, my dad suggested we watch a movie. To my surprise, he suggested we watch Divergent. I had seen the movie twice before, both times in theaters with friends. At the time, I thought it was good. Great, even. But there I was, watching it for the third time with my dad and sister, and I realized it’s not actually… that good.

In theory, the concept of the film is fine. Dystopian society separated into factions based on personality traits.  Fine, interesting enough. Concept sold. But that could also be the film’s, and the book’s, main problem. Most of the film is based around the protagonist, Tris Prior, earning her place among the faction she transferred into. Okay, that’s fine as a plot. Run with that. But then that’s not enough material for a trilogy, now is it? Nor an acceptable plot for a teen dystopian film. So what do we do? We throw in the Hitler, in the shape of Erudite leader Jeanine Matthews. Or, in the movie universe, a pregnant Kate Winslet.

But here’s the problem with that kind of set-up: most of the movie is not about the take-over-the-world plot. That comes flat out of nowhere in the last half hour of the two hour film. No. Nooooooo, you cannot do that. Build up, please. Suspense. Something, anything, in the middle of the second act. Maybe even the first act, please. But no. All we get is a nod at our baddie at Tris’ choosing ceremony, then nothing for another hour.  Nothing. NOTHING. GIVE MORE THAT NOTHING.

It’d also help if that hour of Tris finding her place in the Dauntless faction interesting. At best, it’s okay. But, let’s face it, the plot doesn’t such much revolve around Tris’ plight in Dauntless as it is trying to revolve around her relationship with Four, which is contrived and forced and, oh God that fear simulation scene. (Did I mention that I was watching this with my stepsister too? And that she’s eleven? She had a LOT of questions about that one, which I let my dad gracefully evade. It was a learning experience). So basically, I think the movie was trying to make it be this coming of age thing within a dystopia, but that just makes it “not another” stereotypical teen YA novel plot. And that’s BORING.

THERE WAS TOO MUCH OF THIS.  Less acceptance, more plot please.

THERE WAS TOO MUCH OF THIS. Less acceptance, more plot, please.

I think I hate the simulation scenes most of all, mainly because of how blunt they are. Heights, birds, drowning, why are they so clear? If they’re hallucinogenic dream sequences, why do things make sense at all? The brain is complex, diverse, and, even if you have a single-track mind, seriously messed up. And I don’t want to hear about that being the point of the series.  Yes, yes, spoiler, Divergents are actually normal humans with normal brain functions. Got it. But even most normal people, while aware that they’re dreaming, can’t really control what they do in it. It’s your unconscious working out its issues, and you are just along for the ride. Which is why those scenes would have been so much more entertaining if they had been flat-out insane! But I’m projecting. Moving on.

ACTING! Acting’s fun right? I have to admit, I did enjoy Shailene Woodley’s performance during this film. Maybe it’s because I still have respect for her from The Fault in Our Stars, but I can’t bring myself to rag on her for anything yet.  She’s still a new talent, and I’m not experienced enough to claim she’s doing anything wrong.  But Theo James… I don’t know how much of his facial expressions were the director’s decisions, but… pick a new facial expression.  I get that they were trying to make this character that serious, stoic guy that you need, but that gets old very, very fast.  Compared to film Four, book Four is a regular goofball. I remember this one scene where book Four is complimenting Tris because he’s super drunk… Why didn’t they keep that?  He’s eighteen in the book, and, what, twenty-five in the film? (Which is a little creepy in its own right, but I’ve seen bigger age gaps).  I think they should have let them have that scene, shown a bit of a relaxed side. His character deserved to be fleshed out a little more.  I don’t know if that’s James’ fault or the director’s, but someone needs to make that happen.

Now, after I got the mains out of the way, the real reason I went to see Divergent in the first place was for Kate Winslet and Maggie Q.  Both of which show up waaaaaay to little for my taste.  I mean… it’s Nikita and Kate Winslet.  Give them more screen time.  But that’s just my personal taste.  However, I think it’s a problem when the whole reason I go to a movie is to enjoy the side characters.  And then spend the rest of the time laughing about how hard they’re trying to hide how obviously pregnant Kate Winslet is.

Look at that tablet cover-up.  She has that thing over her stomach is almost all her appearances.  It's great!

Look at that tablet cover-up. She has that thing over her stomach is almost all her appearances. It’s great!

But overall, is it fair to call to this film bad?  As an adult, I’m inclined to say yes, but there is a reason that my teenage brain enjoyed it last year.  The fact of the matter is, I am no longer target audience for these films, which is preteens and high schoolers.  From that vantage point, it’s a pretty decent film.  It’s not incredible, nor something I’d want to watch over and over again, but it’s a fun film with a new twist on the old dystopian film.  Its concept is enough to pull the plot along, and that’s fine.  Not ideal, but fine.  And in this day and age of teen movies, that’s really all I can hope for.

So Insurgent is coming out next month.  Will I see it? Based on my social circle, probably.  Will I enjoy it? Eh, it’s a toss-up.  I can always hope for more character development, more movement in the plot, but I don’t want to set the bar too high as to disappoint myself.  But even so… Kate Winslet and Maggie Q… I’m doing it for you two.

Until next time!

The Boy Next Door

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You know, in television and movies, I’ve noticed a pattern.  Characters named Claire are blonde or red-heads.  There’s Claire from “Heroes”, Claire from “Lost”, from “Modern Family”, “Six Feet Under”, even “The Breakfast Club”.  And this bugged me when I was younger because my given name is Claire and I am a brunette.  As are most Claire’s that I know.  But, oh God, why did the first brunette protagonist I see with that name have to be Jennifer Lopez in this horrible, horrible, unnerving film.  When I heard her say my name in the beginning of that trailer, I wanted to murder her.  And the screenwriter.  And the director.  And the entire cast and crew.  How dare you.

But on a serious note, this movie looks pretty awful.  I mean, just the writing in the trailer has Kristin Chenoweth spouting exposition. (No, honey.  Just, drop us hints.  You don’t need to tell us the whole backstory in one breath.  It hurts you.  It hurts us too.) I can’t imagine that a trailer that puts so little effort into convincing its audience, while probably giving the most notable lines in the film, can garner that much interest.  So my prediction is that this will tank very hard.

Plus, obsession thrillers have been out of style for a while.  No one I know really wants to see a stalker film.  Especially if the stalker isn’t creatively scary.  I mean, it’s one thing when Freddy Kreuger is chasing you with knife-hands because he’s a psychopath and he wants to kill you.  It’s another thing when it’s a teenage boy and he wants to love you.  Give him fangs and fur and there’s your leading man in the stereotypical teen novel.  Also, the Claire character doesn’t seem to have much to her.  I don’t care about marital problems and how you slept with one of your students.  I can literally hear this story on the news somewhere.  Not to mention, I am certain this trope has been done before, and better.  There was a Jennifer Lawrence movie with an obsessive teenage boy.  And what was that one with Reese Witherspoon and Mark Wahlberg…? Oh, “Fear”.  I liked that.  It wasn’t great, but it was entertaining.  (He cut off the family dog’s head and stuffed it through the doggie door.  It was disgusting, but it was also the 90s so I forgive them.)  “The Boy Next Door” does not look entertaining.  It looks like something a lonely “Fifty Shades of Grey” fan might wander into.  I do not see movies “Fifty Shades of Grey” fans would want to see (but, oh God, the trailer for “Fifty Shades”… go watch it.  It is a masterpiece of absolute nothing and wonderful stupidity that I never want to touch. My brain turned to mush and my body curled into itself.  It was agonizing at so many levels of discomfort.)

I can see the end of this movie already, and my guess is as follows: Jennifer Lopez and the son lives, cheating bastard husband dies, aggressive stalker teenage boy gets mutilated and, if J-Lo or son doesn’t kill him, arrested.  If it ends any other way than the typical stalker-film formula I just laid out, I will be very surprised.

My advice: it’s probably not worth the $11 admission ticket.  If you’re desperate to see it, I think you can wait until it hits the Internet.  Go see “American Sniper”, or “Selma”, or “Into the Woods”, or “Big Eyes” (Bravo, Burton.).  You know, something that feels fulfilling and intelligent and poignant.  And worthy of your money.

Make good choices with your theater tickets.  Some things just can’t be unseen.

Happy movie watching.

The Seventh Son

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No.  No no nonononononononononono.  No.  Bad.  Bad Universal Studios.  You do not take one of my favorite childhood series, my first transition into horror novels, and SHRED IT TO PIECES.  I don’t care if it has Julianne Moore, or Jeff Bridges, or Prince Caspian (which is even worse since the Tom is supposed to be twelve, TWELVE, not in his FREAKING THIRTIES).  This moving is going to tank so badly that it’s not even funny.  Well, a little funny, but also heart-wrenchingly awful because I loved “The Spook’s Apprentice” series so much.

This is how bad the movie is.  I just saw a commercial for it today, and it comes out next month.  One month of advertising…  That is the sign of a flop that the production company has given up on.  A good movie will start releasing trailers at least four months before its release.  A movie that’s shooting for an Oscar can have trailers for up to a year before its release date.  If you have a movie that’s only getting one month of advertising after months of pushing back the U.S. release date, it is doomed.  The only reason it is getting released is because Universal knows that it’s screwed.  It’s a minimal loss situation, and apparently it’s so bad that Universal hasn’t even announced the budget yet even though the movie’s been released already in foreign countries.  Though, just based on the choppy trailer I saw, it looked expensive.  I saw big sets and big names and something that looked like a CGI dragon… Which I really hope was not a dragon because there are no dragons in the first books.  My best hope would be that it’s the Bane, but that would be horribly disappointing because dragons don’t scare me, while the thing that I conjured up in my brain when I read the second book scared the shit out of me. If what you’re showing me on the screen doesn’t even remotely match the fear I conjured up in my own mind as a kid, you’re doing something wrong.

I honestly feel bad for the CGI artists, because it looks fantastic. Actually, I’m 100% sure that it’s the plot’s fault just based on the two lines of dialogue I heard Jeff Barnes utter in the trailer.  “I’ve been looking for you.” …….. NO! That’s not what happened, you dipshits! The book Spook was awesome, he was tough and wise and emotional and cranky. He was not Obi Wan Kenobi.  He was so much fun to read because I honestly had no idea what was going to come out of his mouth.  He either loved Tom or thought he was the dumbest, idiot boy who he ever had the displeasure of training.  It was great!  He didn’t even want to train Tom, but Tom’s mother somehow convinced the Spook, and thus began the series.

And Tom.  Oh, god Tom.  What have they done to you?  You know, a big reason as to why the books were scary was because Tom was a child.  He was twelve years old when his training began.  You know what’s scary? Telling a twelve-year-old to stay in a haunted house all night and wait for a ghost to show up.  You know what’s not nearly as scary.  Telling a thirty-year-old to do it.  Though, they’re probably going to argue that Ben Barnes is in his twenties… Oh, geez, he has a beard in the poster.  He has a beard… 

Then there’s Alice, who was another character I absolutely adored.  She would pop up in every single book in the series as a love interest for Tom, but she had wonderful problems.  Her whole thing was that Tom was worried he’d have to seal her eventually because of her interest and talent in dark magic.  And half of the time, she would prove him right.  But the other half was that she usually had a bigger, much kinder goal in mind, such as saving an entire city from the Bane or just protecting Tom in general.  She’s a very complex character, which is especially impressive considering she too is supposed to be a child.

Ugh, I am so scared to see this movie.  I know I’m going to eventually, since I am a sucker for punishment that seems to love having my childhood torn into pieces in front of my eyes.  But I’m not contributing to ticket sales.  I’ll just wait patiently for the thing to be released on Netflix, which I bet it will be very soon, just like “I, Frankenstein.” (Oh, the horror.)  Here’s hoping someone will reboot this in ten years and make it better.  Please.  Anyone.

Until then, happy movie watching.

Big Hero Six

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Did you know it’s a bad idea to watch three movies in one day at a movie theater?  No? Well, let me tell you now: it’s a bad idea.  Not only could I not sleep for three hours afterwards, but I am now left with the burning desire to watch more films for some weird paradoxical reason.  I am so done.  Instead, I’ll be systematically pounding out reviews again.  Sorry I had to take a little break.  College is a great place to try new things, but an extremely difficult place to actually commit to anything.

One of the movies I saw during my do-or-die marathon was Big Hero Six, the latest from Disney’s animation studio.  And of the three movies I saw that day, the other two being Penguins of Madagascar and The Hunger Games: Mockingjay- Part 1 (loong title, right?), Big Hero Six was actually the best out of all of them.  Boo me all you want, disturbed Hunger Games fans.  If that thing wasn’t part of a franchise, it would have never been green-lit.  But I’ll get to that later.

As is my thing with recent movies, I’ll try not to spoil too much, but there’s always a risk I’ll let something slip.  Sorry in advance.

So what’s the movie about?  A young genius named Hiro Hamada lives in the fictitious San Fransokyo with his brother Tadashi and his aunt.  When Tadashi is killed, Hiro decides to find his brother’s killer using his brother’s invention, a health care robot named Baymax.  After turning Baymax, his college friends and himself into tricked-out superheroes, Hiro’s team works together to stop a super villain.  And that’s all I can say without ruining anything.

Sounds like your typical superhero movie.  Which is actually a little unfortunate.  Marvel, meaning Disney, has an entire franchise running off their superheroes.  Why, oh why, did they feel the need to market another one?  While Iron Man and Thor are characters we all have at least heard of, Big Hero Six was actually a Marvel reject that never made it past one issue.  Why this story? And why now, when superhero movies are starting to get a little old?

Well, for one thing, Big Hero Six is not entirely a superhero movie.  Though the superhero angle was played up a lot in the marketing, at its core the movie is actually a story about a teenager mourning the loss of his brother and how he chooses to deal with his pain.  Throughout the entire film, Baymax is trying to alleviate Hiro’s emotional turmoil.  When something makes Hiro happy, Baymax points out that his treatment is working and that Hiro is on the road to recovery.  Of course, Hiro is also trying to move forward in a different way, mainly trying to find peace by hunting down his brother’s killer, growing dangerously close to his dark side.  When the super villain’s identity is revealed, Hiro goes on a rampage, and comes dangerously close to murdering him.  This is pretty heavy stuff for any family film to handle, and for Disney of all companies to tackle it outside of their Marvel branch is pretty daring.

And then, of course, there’s that huggable marshmallow Baymax.  Disney, I salute you.  You have brought back the Disney sidekicks.  We had some pretty dark days (oh God, Jason-Alexander-gargoyle… DIE.), but you have finally remembered that your secondary characters, even the funny ones, need to have a purpose.  I think Disney got their mojo back when they pumped out Olaf the Snowman in Frozen, who, from any and all angles, looked like was going to be an annoying little bugger, but ended up actually cementing a lot of Frozen‘s plot together.  Baymax is where they nailed it. This is going to be the sidekick everyone’s going to try to duplicate, that gentle giant personality.  But the brilliance behind Baymax is how necessary he is to the story and Hiro’s development as a character.  Hiro needs Baymax; Hiro’s personal growth would have been seriously undermined had Baymax been removed from the story.  Baymax gave Hiro, and the story, that big push forward.  Baymax may be comic relief, but you cannot remove Baymax without seriously crippling the main plot.  That, my friends, is a sign of a solid side character.  Kudos, Disney.

The world they built is actually pretty amazing as well.  I went with a friend, and he spent a full hour afterward making up a prequel of when Japan hostilely took over San Francisco and forced its culture onto the Bay Area.  It was both funny and unnerving.  The setting does look like a perfect mesh of two cultures, from the billboards to the people to the technology.  It’s amazing, and that first flight Hiro takes with Baymax is breathtaking, and just because you get to take in this amazing work they built.  It’s not How to Train Your Dragon incredible, but still pretty awesome.

This movie is definitely worth the entrance fee.  It’s well-written, beautifully rendered and it’s just pure fun.  Whether or not it’ll make it into my collection later has yet to be determined, but we’ll wait and see (though I do see a very probable Oscar nomination in the future for Feature Animated Film).  It’s a fun movie that has a little something for everyone in the family to enjoy.  And huggable marshmallows.

It’s the Great Pumpkin, Charlie Brown

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Never make promises on midterm week.  I have learned this the hard way this past week.  I sat down two days ago to write the “Halloweentown High” review and… nothing.  I blanked.  I was so dead tired after my four midterms that I just couldn’t.  But, considering that “Peanuts” is something near and dear to my heart, I am squeezing out that last microscopic bit of energy to punch out this Happy Halloween review.  This will probably suck.  I’m sorry.  But I can’t.

TRUMPETS! FANFARE! CHILDREN OF INDETERMINATE AGES!

TRUMPETS! FANFARE! CHILDREN OF INDETERMINATE AGES!

We all know this story, just like we all know someone who dressed up as the “Charlie Brown ghost” at least once: It’s Halloween, and the Peanuts gang is gearing up for a night of trick-or-treating.  All, of course, except Linus, who decides to wait in a pumpkin patch for the Great Pumpkin, the Halloween version of Santa, to appear, much to the amusement and anger of the rest of the gang, and to the misery of Sally, who spends the majority of her Halloween waiting with Linus.  The kids get candy and go to a party, Snoopy fantasizes about fighting the Red Baron, and Linus and Sally wait in a cold, dark pumpkin patch.  Sally eventually leaves when Snoopy wanders into the patch, who Linus mistakes as the Great Pumpkin and faints, but Linus stays on, determined to see his Halloween hero.  Lucy finds Linus early the next morning asleep in the pumpkin patch, and she takes him home and puts him to bed (a rare show of sisterly love from Lucy).  Linus later meets Charlie Brown at the infamous wall, where Charlie Brown tries comforts Linus about the great pumpkin, only to have Linus declare his resolve to see the Great Pumpkin next year.

This TV special is bizarre in the sense that no one, not a single character, learns a single thing.  Linus still believes in his fantasy, Charlie Brown is still unlucky, and Lucy will be back to punching her brother in no time.  No one grows and changes, no one has anything new at the end.  And this keeps exactly with the idea of the original strip.

The Peanuts comic strip was a dark, cynical look into the life of a child that acts like a forty-year-old, yet somehow managed to keep a light tone throughout the run of the series.  It kept enough of that lightness to appeal to children while also attracting the attention of the adults for its, let’s be honest, pretty dark humor about a kid who just couldn’t catch a break.  That’s how we’re supposed to feel as adults, not children.  Not only did the TV special keep this tone, particularly through the gag that poor Charlie Brown got rocks, ROCKS, at every house he went to, it also kept that same warm feeling you get at a child who believes in Santa Claus.  Sure, it’s a lie, but that doesn’t mean you want to ruin their lives by telling them that their childhood idol is really Mom or Dad at midnight.  And that’s where Linus’ role fit in beautifully.

You poor, poor child...

You poor, poor child…

If Charlie Brown was the cynical outlook on life, Linus was the eternal optimist.  He always had something helpful to say, he always tried to talk his way out of things, and God help you if you tried taking away his blankie.  I think that the character Schultz created knew that if Snoopy, his sister, or his grandmother ever managed to take away his blankie for real, something inside him would break that he could never get back.  Linus didn’t want to be forced out of his childhood too soon; he was just waiting for the right time to come around to it himself.

linus-great-pumpkin

Hence, the Great Pumpkin.  This story is beautiful in its simplicity.  Linus made up an icon for a holiday that didn’t have one, convinced himself it was real, waited in a pumpkin patch to the point of falling asleep on the cold hard ground, and even though he was told time and again that the Great Pumpkin was a lie, he still adamantly defended its existence.  That is a child that never wants to grow up.  Linus is who Peter Pan should have been.  A sly, ageless kid with a security blanket.

And I think that’s what people like about this film.  It’s not just that we know these characters from the comic strip; it’s that simple idea of believing in something so strongly that no one can take it from you.  That’s a rare quality for anyone to have, even for a child.  Most children today, if you told them Santa Claus wasn’t real at Linus’ delicate age, would start screaming, yes, but they would come to accept it pretty soon.  Linus, on the other hand, though there has to be some part of him that knows, doesn’t care what his friends are saying.  He’s going to sit in this pumpkin patch, and he’ll still put in a good word for the gang “when” the Great Pumpkin shows up.  The movie takes the idea that in this cruel, cynical world that gives a child a rock as a treat, there is still room for childhood beliefs.  This is important not just to a child, but also to adults, who are surrounded with so much complicated stuff that it is rare for us to sit back and believe in something as simple and stupid as the Great Pumpkin.  It’s a wonderful nostalgic throwback to everyone’s childhood, and I’m so happy I got to watch it again this year.  Happy Halloween everyone, and enjoy the beginning of November!

Halloweentown II: Kalabar’s Revenge

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I’m saying it now.  This movie is bad. The plot is lifeless.  The dialogue gets painful.  It’s like they gave up in the middle of the script and said: “Well, we have two creative ideas.  Now let’s just put in cliche after cliche.  Our plot doesn’t make sense? Who cares! It’s for kids!” Grrrr…… This is by far the least developed of the Halloweentown trilogy. But I said all three, and… heh, stupid guilty pleasures.

This film’s plot starts two years from the last time we saw the magical Cromwells.  Marnie has transcended puberty, Dylan’s balls have also dropped, (it took me ten minutes to remember his name.  I was writing “Dexter” for a while), and Sophie is still the generic little sister, except she’s not as cute anymore.  Since Mom is now pretty much cool with magic now, the family is in the middle of throwing a Halloween party, with all of the decorations coming out of Grandma Aggie’s Mary Poppins bag (Stop ripping yourself off, Disney), when Marnie meets a new neighbor, a cute boy named Kal. Being a Disney protagonist, Marnie is of course immediately smitten, and gives him a private tour of the house, including Aggie’s magically hidden bedroom.  Can anyone else tell where this is going just based on his name because Disney wasn’t creative enough to even try to hide their plot device?  You guessed it!

Is this a stalking PSA?  It looks like a stalking PSA.

Is this a stalking PSA? It looks like a stalking PSA.

Kal steals Aggie’s spell book and sneaks it out of the house, leaving the family confused when Aggie’s bag runs out of stuff.  Marnie and Grandma realize that the spell book is missing and decide to go to Halloweentown to get the spare, leaving behind a red skull to communicate with the rest of the family.  (Because cell phones wouldn’t work, or was it a long-distance rate thing?)

But things aren’t quite right in Halloweentown, as everything has turned gray and dull and the monsters have turned into humans.  Even the town’s giant Jack-o-Lantern, which somehow ended up in a more condensed part of town than it was in the last film, has turned into a block of gray bricks, out of which pops:

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……….You know, I just can’t take you seriously when I’m staring up into your nostrils.

Kal reveals his master plan of taking revenge on Halloweentown and the mortal world for… reasons… (He hasn’t said it yet, but come on… Kal… Kalabar… Disney thinks we’re stupid…..) He stole Aggie’s book to make sure the Cromwell witches wouldn’t get in his way, since he’s going to change the monsters into humans and the humans into monsters.  Which makes no sense, but who cares? Marnie and Aggie rush over to Aggie’s house, where they search at a comedically sped-up rate, but to no avail.  The book is lost.  But it just so happens that Grandma Aggie knows where all the lost things go: to the house of a creepy old curmudgeon named Gort! Where else?!  But the pair are too late, since Gort’s house has been affected by the “Gray Spell” and he has sold off all of his junk in a yard sale, including Aggie’s book.

This feels insulting somehow...

This feels insulting somehow…

Things only get worse when the Gray Spell catches up to Aggie, sucking all the color out of her and giving her the urge to match left socks.  She gives Marnie a time-travel spell just before the curse takes full effect, leaving Marnie alone to figure things out by herself.  Well, alone except for the not-necessary troll boy from the last movie that I felt no need to mention.  Because he did nothing there, and he’s doing nothing here.  Except changing from gray to orange and giving Marnie moral support.

Marnie and the troll, Luke, travel back in time to when the book should be in Gort’s house.  By some miracle, Gort remembers the book, but lets the pair search in his junk piles of hell for what is presumed to be a few hours before he tells them that he had sold the book to Kalabar fifty years prior to this moment in the past.  You douchebag.  Even worse, Marnie loses the paper the time-travel spell was on, and it seems that anything lost in Gort’s house disobeys the Laws of Conservation of Matter and is never seen again.  So we kill ten minutes as Marnie attempts to remember the spell.  But, oh joyous day!  She accidentally figures out the counter spell for the Gray Spell: the cure is “Trapa” because… the curse was “Apart”?………. *cough,cough, LAZY!!!!

Meanwhile, Marnie’s mom accepts a date with Kal’s “dad”, who’s actually a golem made of frogs.  Frogs are apparently very romantic, since he asks Gwen to a… high school dance… and asks her to put on the ugliest mask in the history of green masks.  But don’t worry! It’s a plot device!  Dylan and Sophie are apparently smarter than both their sister and their mother and figure out something’s going down at the dance, so they follow Gwen via broomstick and crash the dance.  (Because no one would notice a couple of kids flying through the air on a broomstick?)

Back in Halloweentown, one of Marnie’s attempts to go back to the present lands Marnie and Luke in one of Kal’s spells, where Marnie figures out that Kal is the son Kalabar never, ever mentioned.  Kal tells Marnie that at midnight he intends to turn all the humans wearing Halloween costumes into the monsters they’re portraying, including Marnie’s mother, who’s wearing the goblin mask (I told you it was a plot device.) But Marnie and Luke break out of the spell, and they use Gort’s magical timeline (that he kept to himself while Marnie tried to remember the time spell. Again, what a douche.) to travel back to the present.  Grandma Aggie is turned back to normal, and apparently no one can ever say the word “apart” again!  Yay, plot holes!  But Marnie is too late to get back to the mortal world, as the clock strikes midnight and the bullet-proof metal door of a portal is closed until next Halloween, stranding Marnie and Aggie as all the humans turn into monsters.  Understandably scared, Sophie and Dylan search through the crowd, trying to find their mo–

Witchcostume1

AAAAAAAAAAAAAHHHHHHHHHHH!!!!!!

HOLY SHIIIIIT! DISNEY, WHAT IS WRONG WITH YOU?! THIS IS A CHILDREN’S FILM! It’s one thing for your animated villains to be scary, but my God.  We do not turn our mothers into the Green Goblin!  And we do not sic said mothers on their own children!! Sophie and Dylan escape their mother and contact Marnie through the skull, and they decide to force the portal open, using the dumbest, most cringe-inducing chant you will ever not remember.  BUT IT WORKS!  Marnie and Aggie burst through the portal just in the nick of time, facing down Kal in one last stand.

The last stand:  Kal surrounds himself in black vines, Marnie swats the books out of his hands, the black vines eat Kal.  ………… No, that’s all of it.  And everyone was normal again.  Oh, and the portal between the world is open forever and the monsters come to visit and all the humans are all really chill with it.  The end.

This is an awful, awful movie.  So many problems… Let’s start listing! Don’t you think Kalabar might have brought up his son in the first film? Like he would have seen Gwen’s kids and said, “Oh, hey, I have a son just about your daughter’s age.” Like a normal parent.  What self-respecting adult willingly goes to a dance in a gymnasium?  When your date literally croaks like a frog and dresses like a frog, isn’t that any woman’s cue to run in the other direction?  Why is Sophie smarter than everyone?  What was Dylan’s purpose other than to whine?  Did Marnie really need moral support from a troll that was “too-cool-for-you” in the last movie and even less necessary to the plot in this movie?  Did Kal’s spell go past the border of the gym?  Were helpless parents eaten by their transformed children somewhere?  Did this night even have a body count?  Is this an accurate representation of how adults thought kids spoke in the late 90s? Could the writers not think of a better spell than “apart”?  Were the writers drunk?  Did Gort get sued for being a rip-off of Oscar the Grouch?  Could the Halloweentown inventors really not come up with anything more comfortable than talking heads as communication devices?

"Bring me to your filthy ear again and I will bite it off."

“Bring me to your filthy ear again and I will bite it off.”

This film has many, many flaws.  The writing was lazy, the characters were flimsy and Grandma Aggie spent more time being gray and boring than I ever want to see.  It’s Debbie Reynolds! You got the famous actress! USE HER!! The revenge plot made about as little sense as it could, especially considering that the Kalabar and son team had been apparently cooking up this plot for decades.  They really couldn’t come up with anything better.  At the least, the effects were definitely better than they were in the last film, though I have to admit it didn’t have that tough an act to follow in that regard.

In conclusion, this movie, like so many sequels, really has no right to exist except to buff up DVD sales.  It has no value as a movie outside of its trilogy, so thank God it has two other movies two cling to for success.  It’s only purpose is to serve as a shoddily-built bridge to its much better sibling, Halloweentown High, which I’ll be reviewing tomorrow.  Until then, maybe the portal from Halloweentown will open up in my closet.  I’ll be ready with my machete.  Good night!